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Daniel Smith watercolours offer a wide range of extra-fine pigments. The sheer range of possibility they offer is endless and unparalleled in the industry. These handmade pigments have superior light fastness: 233 colours have a light fastness rating of = I or II, 3 with light fastness rating = IV (Opera Pink, Alizarin Crimson and Rose madder genuine)
Unique handmade colours with authentic mineral pigments. Primatek colours are made from naturally occurring pigments, reviving a tradition of making paints the way the ancient Egyptians, Mayans and other early cultures did. The diversity is amazing, from the subtle earth tones of Hematite, Zoisite, Tiger's Eye and Sedona to the exquisite jewel shades of Rhodonite, Amazonite and Lapis Lazuli Genuine. As you paint with these colours, you'll experience something new in your watercolour mixtures and paintings!
Interference and pearlescent colours provide subtle luminosity and almost magical colour shifting effects. Made with microscopic transparent mica platelets coated with various thicknesses of titanium dioxide, Interference colors refract light in delicate tints of blue, copper, green, gold, lilac, red and silver. Applied to white paper, they’re virtually colourless, but when applied over a dark surface, they come alive with pale, shimmering colour. Pearlescent colours offer a consistent, pearly shimmer without the light-shifting quality of the Interference colours. Mix the Interference and Pearlescent colours with standard tube colours to add a wonderful sense of depth, or apply them on top of dried colour to give localized effects on subjects such as flower petals, shimmering water or plumage.
Duochrome colours offer rich, vibrant, three-dimensional colour that actually changes colours when viewed from different angles. Depending on the reflective light, each bounces between two distinctive colours for pure visual excitement. With a little experimentation, you’ll find that any of the Duochromes can illuminate, strengthen and enliven your palette.
Iridescent colours are opaque, with a more pronounced shine than the Interference and Pearlescent colors. Their colour is constant-not changing with viewing angle or light direction as with the Interference paints. Made with mica platelets coated with iron oxide, the Iridescents all have a pronounced sheen, and several of the colors have a coppery, golden or silvery luster. Try Iridescents alone or mixed with standard colours for intriguing textural effects.
Discover a product line made in Canada that includes all the essentials for acrylic painting, designed for creative minds.
Each colour in the professional fluid acrylic range is formulated to provide high pigment concentration and maximum colour intensity, while offering excellent handling properties and stability.
Free of fillers and extenders, the fluid acrylic paints dry to a natural glossy finish for most colours. Colours containing larger pigment particles provide a more satin finish.
The colours in this range do not separate or settle in the container. They can be easily mixed with acrylic mediums in any proportion or diluted with up to 50% water to increase transparency and optimize coverage.
Once dry, the paint offers a flexible finish that is resistant to water and light. Ideal for students and professional artists.
Abstract is the result of three years of research and by the Sennelier expert lab team. It is a fine acrylic paint which meets all the stringent quality demands that are a guarantee of Sennelier paints. The pigment concentration gives it a creamy-to-thick consistency which compares with Heavy-Body paints, and they have incomparable covering power. The paint is a pleasure to handle with a brush, a palette knife or straight out of the pouch using a paint tip. Ease of application onto multiple surfaces makes it very popular with students, professional painters, and street artists alike.
With abstract, there are no surprises when choosing a colour. There's no difference between the colour you can see from the outside of the pouch to what you squeeze out.
The Abstract line has 60 shades, 34 of which are made from a single pigment, which include:
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