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Discover Dacryl, a Canadian-made collection of acrylic painting essentials – made for local creatives.

Dacryl Glitter Acrylic Paint is an innovative combination of coloured Mylar and acrylic emulsion. Permanent and flexible, it’s suitable for a wide range of surfaces, and is perfect for crafts, sculpture painting, and more. Add intensity and shine to your artwork with these quality, vibrantly-coloured metallic paints.

Discover Dacryl, a Canadian-made collection of acrylic painting essentials – made for local creatives.

Dacryl Glitter Acrylic Paint is an innovative combination of coloured Mylar and acrylic emulsion. Permanent and flexible, it’s suitable for a wide range of surfaces, and is perfect for crafts, sculpture painting, and more. Add intensity and shine to your artwork with these quality, vibrantly-coloured metallic paints.

• all Golden products are compatible
• to slow drying time, use Golden Retarder
• To dilute Golden paints, use water or mediums suited for acrylics
• Tool maintenance: clean brushes with soapy water
• Surfaces: most surfaces, including canvas, cardboard, wood and metal
• Drying time: about 15 minutes for a thin coat, and about three hours for a thick coat (about ¾ in.)

• High viscosity
• Highly pigmented
• Satin finish
• Holds knife marks and brush strokes

• All painting techniques
• Impasto
• Texturizing with brush or palette knife
• Alla prima

• High viscosity
• Highly pigmented
• Satin finish
• Holds knife marks and brush strokes

• All painting techniques
• Impasto
• Texturizing with brush or palette knife
• Alla prima

• High viscosity
• Highly pigmented
• Satin finish
• Holds knife marks and brush strokes

• All painting techniques
• Impasto
• Texturizing with brush or palette knife
• Alla prima

• Avoid excessive temperatures for long periods of time.
• Short-bristled sable brushes are recommended for watercolours because of their excellent retention capacity and softness.

• Avoid excessive temperatures for long periods of time.
• Short-bristled sable brushes are recommended for watercolours because of their excellent retention capacity and softness.

• top-quality gum arabic
• honey for a smooth finish
• pure pigment is mixed with binder before being ground
• rare, resistant pigments, with a lightfastness of over 7 on the blue wool scale (max 9)

• Avoid excessive temperatures for long periods of time.
• Short-bristled sable brushes are recommended for watercolours because of their excellent retention capacity and softness.

• Avoid excessive temperatures for long periods of time.
• Short-bristled sable brushes are recommended for watercolours because of their excellent retention capacity and softness.

• top-quality gum arabic
• honey for a smooth finish
• pure pigment is mixed with binder before being ground
• rare, resistant pigments, with a lightfastness of over 7 on the blue wool scale (max 9)

• Avoid excessive temperatures for long periods of time.
• Short-bristled sable brushes are recommended for watercolours because of their excellent retention capacity and softness.

• top-quality gum arabic
• honey for a smooth finish
• pure pigment is mixed with binder before being ground
• rare, resistant pigments, with a lightfastness of over 7 on the blue wool scale (max 9)

• top-quality gum arabic
• honey for a smooth finish
• pure pigment is mixed with binder before being ground
• rare, resistant pigments, with a lightfastness of over 7 on the blue wool scale (max 9)

• Avoid excessive temperatures for long periods of time.
• Short-bristled sable brushes are recommended for watercolours because of their excellent retention capacity and softness.

• Avoid excessive temperatures for long periods of time.
• Short-bristled sable brushes are recommended for watercolours because of their excellent retention capacity and softness.

• top-quality gum arabic
• honey for a smooth finish
• pure pigment is mixed with binder before being ground
• rare, resistant pigments, with a lightfastness of over 7 on the blue wool scale (max 9)

• Avoid excessive temperatures for long periods of time.
• Short-bristled sable brushes are recommended for watercolours because of their excellent retention capacity and softness.

• top-quality gum arabic
• honey for a smooth finish
• pure pigment is mixed with binder before being ground
• rare, resistant pigments, with a lightfastness of over 7 on the blue wool scale (max 9)

• top-quality gum arabic
• honey for a smooth finish
• pure pigment is mixed with binder before being ground
• rare, resistant pigments, with a lightfastness of over 7 on the blue wool scale (max 9)

• top-quality gum arabic
• honey for a smooth finish
• pure pigment is mixed with binder before being ground
• rare, resistant pigments, with a lightfastness of over 7 on the blue wool scale (max 9)

• top-quality gum arabic
• honey for a smooth finish
• pure pigment is mixed with binder before being ground
• rare, resistant pigments, with a lightfastness of over 7 on the blue wool scale (max 9)

• top-quality gum arabic
• honey for a smooth finish
• pure pigment is mixed with binder before being ground
• rare, resistant pigments, with a lightfastness of over 7 on the blue wool scale (max 9)

• top-quality gum arabic
• honey for a smooth finish
• pure pigment is mixed with binder before being ground
• rare, resistant pigments, with a lightfastness of over 7 on the blue wool scale (max 9)

• top-quality gum arabic
• honey for a smooth finish
• pure pigment is mixed with binder before being ground
• rare, resistant pigments, with a lightfastness of over 7 on the blue wool scale (max 9)

• top-quality gum arabic
• honey for a smooth finish
• pure pigment is mixed with binder before being ground
• rare, resistant pigments, with a lightfastness of over 7 on the blue wool scale (max 9)

• top-quality gum arabic
• honey for a smooth finish
• pure pigment is mixed with binder before being ground
• rare, resistant pigments, with a lightfastness of over 7 on the blue wool scale (max 9)

• top-quality gum arabic
• honey for a smooth finish
• pure pigment is mixed with binder before being ground
• rare, resistant pigments, with a lightfastness of over 7 on the blue wool scale (max 9)

• Avoid excessive temperatures for long periods of time.
• Short-bristled sable brushes are recommended for watercolours because of their excellent retention capacity and softness.